Power consists of two wooden chairs reduced to their essential outlines. Stripped of their seat surfaces, the objects can no longer function as chairs, leaving only the suggestion of use and human presence.
The work explores how posture and body language can express relationships of power. One backrest bends slightly forward, while the other leans back, creating a subtle tension between the two forms. Through this minimal shift in position, the chairs suggest different attitudes and interactions between bodies in space.
By reducing the chairs to simple linear structures, Power focuses on gesture, balance, and the spatial dynamics of human interaction.